Certainly, leaving my professional experience aside, from my involvement with Fanderson, when actors start getting script approval, disaster ensues. This is what happened on Space: 1999 with Martin Landau and Barbara Bain. Also Tom Baker (Dr Who) was constantly trying to change the script. During the recording of Nightmare Of Eden, Tom tore into director Alan Bromly, and as a result Bromly suffered a breakdown.
I was talking to a friend recently and he told me that a few years ago he saw some footage that was originally going to appear in the Kevin Davis/Andrew Pixley video on the making of Blake's 7. Apparently this footage came from studio recordings of Games.
Vivienne Cozens was a first time director and she wasn't too good at what she was doing. By all accounts Darrow and Pearce verbally ripped her apart.
(I can't help
> wondering if this was because *someone* had trouble saying it without
> cracking up? <veg>)
It would be logical to assume that the reason the scene was changed was because Chris Boucher found a better way of doing it. Now I've never written a script myself, but I've seen how they go through changes in production, and it's not really fair to criticize a writer for lines written by him in his first draft. Obviously he wasn't pleased with what he had or he woudn't have changed it. It's a bit like rooting round in some writer's dustbin and then criticizing them for something not being very good, even though that writer has thrown it away. Scripts, like books, are written, then rewritten, and then written again.
At the end of the Trial article Alan Stevens says: "The fact that so much of the script's first draft appears virtually unaltered in the final transmitted episode is, quite frankly, astonishing, and it can only serve as a testament to what a fine, dedicated and extremely talented writer Chris Boucher is."
I think this is a fair comment.
Leslie