Neil wrote: <What I do think, and I'm quite aware that this might be nothing more than a reflection of my own prejudices, is that my distaste for character junkieism (as opposed to those who practice it) lies in what I perceive as a superficial appraisal of the series. There is an exagerrated awareness of differences between individuals, whereas I tend to look for similarities, which in turn leads to the social or, dare I say, the ideological.>
Certainly there's a balance to be struck between the two, since leaning too far in the direction of the social - *denying* their individuality in favour of ideological archtypes - would probably end up as superficial as anything a blind Avonite could manage. Not that I'm saying that's what you're doing, but what we have - what we *all* have - is different perceptions of where the balance lies for ourselves. I'm not sure that this is so much a matter of prejudice as merely personal taste. After all, there's also those who spend time and many words in making sense of the physics - the hardware aspect - of the show, which is also a part of the background but which I am *not* much interested in per se (tying the Federation to historical parallels in totalitarian dictatorship, yes. Tying the FTL capabilities of the Liberator to real physics, not really. But that's just me).
Do more people lean to the individual rather than the overview? I'm not that sure, going by what I read on this list (on the other list, oh yes :-)). Going over the recent years' archives, there's actually a goodly mixture of *all* types of threads and POVs within the threads (see the dreaded Star One discussions for almost the whole range).
Maybe it's just that some of us character junkies burble more ...
<There is also a focus on immediate impressions - what is said or done (or worn - now that is what I really do call superficial) - with an implied reluctance to look deeper than the cosmetic surface.>
Oh but Neil, and here I am working out a theory of how the changes in Avon's attire over time can represent his relative emotional state :-)
But is extrapolating societal or ideological significance from what actually happens on screen *really* any deeper and more meaningful per se than extrapolating an individual's thoughts and emotions from the same evidence? Or is it just a larger screen? Both ways *do* use the same evidence - "what is said or done" - and both *try* to look deeper, but in different directions.
I like to turn a microscope onto My Darling; you prefer a magnifying glass on the background.
<And that devotion to 'playing the game' - discounting the external contribution of the process of production (writers, directors, actors, budget etc).>
Is okay by me as long *as* we all remember it's a game. Then again, so might be second-guessing the people involved in the production.
<Which is fine for threads that confine themselves within those limits, but not so fine when it gets dumped on threads that try to step out of those narrow parameters.>
Now is that fair? Most of us *aren't* specifically thinking about what particular parameters the thread or our answer comes under, just trying to add our pennysworth (even if inflated at the price) to a discussion we find interesting. And if we *do* think individual characterisation is central to the matter under discussion (as I still do with 'is Avon a sexist pig in Deliverance?' which *was* the post that started it all :-) not 'does Avon represent an chauvinist porcinery in general) then we are not going to approach it from an angle that seems less relevant. Maybe I'm wrong from a non-character-junkie's POV, but I do tend to see it from my own ...
<It comes across as deliberate sabotage sometimes.>
<sotto voce> Rats. He found out.
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Sally wrote:
Oh but Neil, and here I am working out a theory of how the changes in Avon's attire over time can represent his relative emotional state :-)
Um, I think I've posted about that repeatedly (to Joanne's occasional dismay). Glad to see you're with me on this. ;-)
Seriously, when people get to choose their own attire freely, especially with no cost constraints, what they choose to wear does tell us something about them. It's just one more of the facets of the real world that can be superimposed over the series to increase its depth.
Mistral
In message 3A823609.AEF86FDE@centurytel.net, Mistral mistral@centurytel.net writes
Seriously, when people get to choose their own attire freely, especially with no cost constraints, what they choose to wear does tell us something about them.
One of the things that struck me about my photos from Redemption 99 was the penchant the attending Lystians/Citizens had for black...
Julia said:
One of the things that struck me about my photos from Redemption 99 was the penchant the attending Lystians/Citizens had for black...
Well, Morrigan and I were talking about this. If you bring a couple of black pieces, everything matches and you have more room in your suitcase to buy zines.
-(Y)
On Fri, Feb 09, 2001 at 12:43:07AM -0500, Dana Shilling wrote:
Julia said:
One of the things that struck me about my photos from Redemption 99 was the penchant the attending Lystians/Citizens had for black...
Well, Morrigan and I were talking about this. If you bring a couple of black pieces, everything matches and you have more room in your suitcase to buy zines.
Exactly. One has a colour-of-choice when packing, so that everything goes together and one has more flexibility of dress while cutting down on the number of clothes needed to pack. I usually go for either things that go with blue, or things that go with black. And since Avon's trousers were black, what else am I going to have to pick to go with my Avon costumes?
(grin)
Kathryn Andersen -=-=-=-=-=-=-=-=- Blake: Speed Standard by Three, Earth Sector. We have unfinished business with the Federation. Vila: Oh, no, not again. (Blake's 7: Redemption [B1])
In message 20010209210920.B30695@welkin.apana.org.au, Kathryn Andersen kat@foobox.net writes
Exactly. One has a colour-of-choice when packing, so that everything goes together and one has more flexibility of dress while cutting down on the number of clothes needed to pack.
Don't talk to me about flexibility of dress, I have to start thinking about packing for next week's flight <groan>. It's not very easy to pack for a trip of indeterminate but extended duration that takes in a British winter, a Californian winter including a side trip to the mountains, an Australian summer, and back to the UK for winter/spring.
From: Sally Manton smanton@hotmail.com
Neil wrote: <What I do think, and I'm quite aware that this might be nothing more than
a
reflection of my own prejudices, is that my distaste for character
junkieism
(as opposed to those who practice it) lies in what I perceive as a superficial appraisal of the series. There is an exagerrated awareness of differences between individuals, whereas I tend to look for similarities, which in turn leads to the social or, dare I say, the ideological.>
Certainly there's a balance to be struck between the two, since leaning
too
far in the direction of the social - *denying* their individuality in
favour
of ideological archtypes - would probably end up as superficial as
anything
a blind Avonite could manage.
Takee very careful note, everyone, you might never see this again.
I agree with Sally. An episode of dramatic fiction is first and foremost fiction, and to be fiction it needs ... wait for it ... *characters*.
But is extrapolating societal or ideological significance from what
actually
happens on screen *really* any deeper and more meaningful per se than extrapolating an individual's thoughts and emotions from the same
evidence?
Or is it just a larger screen? Both ways *do* use the same evidence -
"what
is said or done" - and both *try* to look deeper, but in different directions.
That is a fair point, and doesn't hold up to my accusations of superficiality (which were partly intentional, since I wanted to provoke people.) The larger (or rather wider) screen analogy is probably more apt.
I like to turn a microscope onto My Darling; you prefer a magnifying glass on the background.
Telescope, I think, especially with B7 because a lot of the background seems to be rather distant at times.
<Which is fine for threads that confine themselves within those limits,
but
not so fine when it gets dumped on threads that try to step out of those narrow parameters.>
Now is that fair? Most of us *aren't* specifically thinking about what particular parameters the thread or our answer comes under, just trying to add our pennysworth (even if inflated at the price) to a discussion we
find
interesting.
But some of us *are* thinking about the parameters, and stay out of threads where we feel we have no meaningful contribution to make.
And if we *do* think individual characterisation is central to the matter under discussion (as I still do with 'is Avon a sexist pig in Deliverance?' which *was* the post that started it all :-) not 'does Avon represent an chauvinist porcinery in general) then we are not going to approach it from an angle that seems less relevant. Maybe I'm wrong from a non-character-junkie's POV, but I do tend to see it from my own ...
Actually 'the post that started it all' accused the episode, not Avon, of misogyny. A classic case of imposing a CJ framework on a non-CJ thread, methinks.
<It comes across as deliberate sabotage sometimes.>
<sotto voce> Rats. He found out.
It was to obvious to overlook for ever.
And why are you telling your rats?
Neil
Neil Faulkner wrote:
Actually 'the post that started it all' accused the episode, not Avon, of misogyny. A classic case of imposing a CJ framework on a non-CJ thread, methinks.
True about accusing the episode; however what several were saying (including myself and I think Sally as well to an extent) is that the manner in which the subject was treated _as demonstrated by the Avon-Meegat interaction_ undercut or reversed the effect of what might have been misogyny with a different treatment. I don't think this is a case of the thread being hijacked, but a clear case of both approaches being relevant to the issue under discussion.
Mistral