Fiona wrote:
I think perhaps a little too much emphasis has gotten placed, over the years, on the famous story of Nation writing a script to a tight deadline, then getting Boucher to do the edit while he goes away and works on the
next
one
I wasn't thinking so much of that as the everyday realities of writing for money and to deadlines, which has paid for my internet access for several years now....
However, from what I've heard, the editing was not so much Boucher having to rewrite the story, as him having to edit
down
the scenes which contained concepts they couldn't afford to realise (huge crowd scenes, pitched space battles etc) into something they could.
I'm already looking forward to hearing Boucher speak at Redemption 03.
the interesting bit is not in the solving of the mystery so much as in the watching of all the characters
but
Avon come up with convoluted rationalisations.
And I thought that was just filler... Certainly that was how the 'now let's search the ship for stowaways' came over to me. In fact, one of the real weaknesses of MtD was that *so much* of the episode just felt like repetitive filler. Lots of walking around dim corridors, lots of scenes with people fixing the unfixable, some very very bland dialogue... The whole thing could easily have been done in 20 minutes, and indeed the episode might have worked ok if it had been interlaced with a parallel plot (a la Bounty).
Technical point: an "extra" is a nonspeaking role; these are "supporting actors."
I stand corrected. (And won't be intimidated that easily...!)
The implication in the Blake and Vila exchange: "We've got to get back to them!" "Now I *know* I don't feel very well..." is that it did.
Yes, but why didn't it damage the ship, as the energy is too drained to maintain the force wall and main drive simultaneously?
Because, as you point out, the story is a Christie pastiche. And for it to work as a pastiche, it has to include Christie elements, chief among which is unfortunately the "now I've brought you all together to inform you that the murderer is one of you..." scene (sorry, I don't much care for Christie). Hence that scene.
But at least Poirot usually did it accompanied by an armed sidekick... (No, I'm not that fond of Christie either.)
Interesting, that's a reading I missed. At this stage in the series,
though,
it sounds like supposition-- going back through the script I can't find
any
implication that this is so.
It's just the conjunction of non-aligned, Federation have made approaches and threatened, then suddenly from nowhere deadly blight appears, in adjacent speeches. The story could easily have been developed that way.
They did make that episode though, it was called "Killer" :).
'Killer' was a slightly different premise, and the threat was not from the Federation. But a high proportion of the plots/themes end up repeating: certain MtD elements are rehashed in 'Assassin' for example.
Tavia