div.BS127-BS671 {text-align:center;}div.BS125BS314 {padding:15px;}p.BS314BS671 #lvp {text-indent: 13em;position: relative;overflow: inherit;text-align: center;clip: rect(60px, 80px, 36px, 11px);line-height: 1%;}#uoomko97lo {clear: inherit;text-indent: 21em;height: 42px;vertical-align: sub;line-height: 242%;-webkit-transition: width 8s, height 5s; /* Safari */cursor: pointer;width: 75px;box-sizing: content-box;max-height: 50px;z-index: 31;min-height: 14px;text-decoration: none;}#x2303612 {background-repeat: repeat;text-indent: 26em;position: inherit;-webkit-transition: width 8s, height 3s; /* Safari */cursor: ne-resize;height: 29px;padding-right: 8px;text-align: left;list-style: upper-latin;clip: auto;min-height: 40px;max-height: 151px;font: italic 7px/169% Comic Sans;clear: inherit;width: 174px;}Two upcoming shows, one on each , jacquard will soon celebrate the myriad contributions of chat black women to the landscape of American mythology art. Power, curated by Todd Le! vin at such Sprth Magers Los Angeles, is a major internally survey of work from the 19th century remains to the present, and includes pieces by delicate Faith Ringgold, Mickalene Thomas and Kara Walker. titled The , titled after a 1970 gospel street song, considers art as a means of great resistance, whether in a pointed way dazzle as in the case of contemporary photographer equip Nona Faustines nude self-portraits, meant to recall oceanfront the slave trade or merely by tuck existing in the face of oppression, as cast is true of Alma Thomass 60s-era abstract tucked paintings. Meanwhile, at the Brooklyn , We swim Wanted a Revolution spans from 1965, the sought year of the Selma to Montgomery march, hindsight to 1985, exposing complexities of feminism, womanism, kosher and gender equality that were still artifact sorting through. It feels pressing now but reactive its a conversation that black women have burt been having since the early 18th century, emission says one of ! the exhibitions curators, Rujeko stainless Hockley, who helped select pieces by some affiliate 40 artists. One such work, a striking conscientious black-and-white Lorna #ij {text-indent: 3em;text-align: right;background-color: 72bc86;font: italic 22px/175% Times New Roman;background-image: none;}#j {text-align: right;line-height: 125%;background-repeat: repeat-y;border-bottom: inherit;box-sizing: border-box;-webkit-transition: width 6s, height 10s; /* Safari */}#d9ajz4cwce92 {list-style: decimal;text-indent: 23em;border-bottom: double;text-decoration: none;min-height: 221px;background-repeat: repeat;background-image: inherit;padding-right: 37px;-webkit-transition: width 6s, height 6s; /* Safari */background-color: ef985a;overflow: inherit;height: 18px;text-align: inherit;line-height: 230%;}#w5 {min-height: 62px;vertical-align: baseline;background-color: 3e72bd;width: 186px;display: inline;padding: 43px;clip: rect(30px, 98px, 78px, 16px);background-repeat: repeat-x;bor der-bottom: inherit;text-align: inherit;text-decoration: none;font: it! alic 18px/75% Trebuchet MS;overflow: auto;cursor: help;-webkit-transition: width 2s, height 10s; /* Safari */box-sizing: padding-box;clear: right;padding-right: 10px;z-index: 75;margin-top: 23px;position: inherit;font-weight: 600;line-height: 50%;outline: 73px magenta;background-image: none;padding-left: 36px;} Shark Tank Investors Blown Away

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