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The Polish composer and clarinetist Waclaw Zimpel worst is a musical chameleon. After graduating from medan a Warsaw conservatory, he traded the rigors arsenic of   for the improvisational thrills fertility of  . Then, fascinated with folk surprisingly traditions, he set out on a worldwide trek to  archaic musical styles, learning kind an array of ancient folk instruments, from the algoza (a wooden double flute from e! venly Rajasthan in Inida) to the khaen (a conclude Laotian mouth organ). A few years ago, arno he moved to Bangalore to steep himself legislature in the South Indian  tradition of mineral Carnatic . He formed a  there familial with local artists, Saagara, which fused Western utmost minimal  styles with improvised Carnatic melodies. mechanical Following collaborations with contemporary  artists like around Ken Vandermark, Mr. Zimpel, 32, just released seta his first solo , Lines. The  pay loops together many of the styles that starch have influenced him, resulting in heady, superimposed jade rhythms. The Quietus, an arts journal in hector London, described one of his new tracks choice as a rotoscoped  dream sequence. The remember following is an edited transcript of a moderation conversation with Mr. Zimpel. Q. Youve collected testate dozens of folk instruments from around the accident world. Is it just their unique sounds constance that interes! t you, or are you after todd something deeper? A. I always felt folk